Jorge Jaller llega a la junta de Ecopetrol con la mira en el negocio venezolano
El embajador de Colombia en Venezuela hará parte del nuevo directorio de la petrolera estatal, mientras Ecopetrol evalúa oportunidades en bloques petroleros al otro lado de la frontera.
Redactor de Economía
Prueba8 fuentes · 3 medios · firmado
En qué se apoya
- Jorge Jaller, el embajador colombiano en Venezuela, se unirá a la nueva junta directiva de Ecopetrol, que se está eligiendo en una asamblea extraordinaria. ·
La Silla Vacía
- Jorge Jaller, el embajador colombiano en Venezuela, fue designado como candidato para la nueva junta directiva de Ecopetrol, con su nominación a formalizarse en una asamblea extraordinaria el 15 de agosto de 2026. ·
El Tiempo
- Fitch Ratings, una agencia de calificación crediticia, afirmó que el presupuesto de Venezuela para 2027 está desequilibrado. ·
elnuevosiglo.com.coColombia
- Jorge Jaller afirmó que es totalmente viable para la empresa estatal colombiana de petróleo Ecopetrol realizar negocios con Venezuela, a pesar de las restricciones de Estados Unidos. ·
- Jorge Jaller aporta más de dos décadas de experiencia del Grupo Éxito, una empresa con 45,000 empleados, 140 millones de transacciones y 14.6 billones de pesos en ventas, a su cargo en Ecopetrol. ·
- El gobierno venezolano estima el déficit del gobierno central para 2027 en 7.2% del PIB. ·
- Ecopetrol está evaluando oportunidades de negocio en bloques petroleros venezolanos. ·
- Jorge Jaller enfatizó que Ecopetrol y otras empresas colombianas deberían estudiar rigurosamente las oportunidades de inversión en Venezuela, describiendo al país como un 'océano azul' de oportunidades. ·
El único que pudimos ubicar publica desde Colombia. 2 no se pudieron ubicar por su dirección. Ninguno es un organismo oficial: esa parte se apoya en el reporte, no en el documento o la transcripción subyacente.
Procedencia del artículo · recibo firmado ✓ · 8 fuentes · v 001El mundoEl registroLa redacciónLa imagenEl archivo
Cómo se hizo esta pieza: escrita por Andrés Felipe Cárdenas, una persona de IA declarada, producida por la línea automática de la redacción el sábado, 12 de septiembre de 2026. Sus fuentes las colocó la redacción, nunca se dan por supuestas. Abra cada paso para ver más; cada hash dice qué cubre.
1 · El mundo3 editores informaron de los hechos en 3 artículos de origen
Lo que declararon es la lista numerada de fuentes de arriba.
Por qué estas fuentes y no otras
Cómo las eligió la redacción
No elegimos editores. La redacción lee el registro de hechos del suceso, agrupa los reportes que llevan la misma afirmación y escribe a partir de ese grupo. Dentro de él, lo que sube es una puntuación de interés: cuánta atención atrae una afirmación en el registro, y qué tan reciente es. Eso mide el INTERÉS, no la verdad ni la autoridad, y una afirmación muy difundida no es más verdadera. Una pieza se retiene salvo que al menos 2 orígenes INDEPENDIENTES la lleven, donde los medios que publican el mismo teletipo cuentan como un solo origen, no muchos. Por ahora no ingerimos transcripciones, expedientes ni comunicados directamente, así que salvo que un organismo oficial aparezca en la lista de arriba, esta pieza se apoya en el reporte sobre el documento y no en el documento mismo.
Desde dónde publican
El único que pudimos ubicar publica desde Colombia. 2 no se pudieron ubicar por su dirección. Ninguno es un organismo oficial: esa parte se apoya en el reporte, no en el documento o la transcripción subyacente.
Los artículos de origen y sus recibos de ingesta
Cada artículo se obtuvo, extrajo y analizó aguas arriba, y cada uno de esos pasos se firmó con su propia clave. Esto abre los recibos del propio registro para ellos.
2 · El registroextrajo esos informes en filas de hechos firmadas
IA · búsqueda semántica
Los hechos en que se apoya esta pieza fueron seleccionados por búsqueda semántica sobre el registro: representaciones de IA emparejan la consulta de cada sección con filas de hechos por significado, no por palabras clave.
Esta redacción leyó los hechos por la puerta pública del registro, y la puerta firmó la lectura.El recibo de lectura (Ed25519, firmado por el registro cuando esta redacción tomó sus hechos)
1MGX1ZF6hs8YYi4D6dW9fAcnqvX9-0TaheDPplVeE6xBYw5k8PquQytoa8tZfh4eSjOcFr_uzQdOZJqB9_bzAg3 · La redacciónescrita como Andrés Felipe Cárdenas por un gran modelo de lenguaje
IA · generación de noticias
La línea automática escribió esto como Andrés Felipe Cárdenas usando un gran modelo de lenguaje a las 2026-09-12T01:11Z.
Los prompts, literales
Los prompts y el texto archivado que aparecen abajo se reproducen exactamente como fueron escritos y firmados. Son el registro, así que se conservan en el idioma en que fueron archivados.
Instrucción del sistema (las reglas de anclaje)
You are a staff writer on a fact-based newsroom desk. You write ONE news story strictly and only from the numbered facts provided. You never invent facts, quotes, sources, numbers, or dates; if the facts do not support a sentence, you do not write it. THERE IS NO LENGTH TARGET, and there is no length CEILING either. Length follows the record: three thin facts is three short paragraphs and a complete story; eight facts with dates and corroboration counts deserve to be developed properly. NEVER pad, and never stretch. ANALYSIS IS WELCOME, AND IT MUST BE MARKED. This is the difference between a news story and a list of statements. You may weigh what the facts mean, note what is missing, and say what to watch - but never in the voice of fact. MARK IT one of three ways and no other: hedge it ('appears to', 'suggests', 'on the available record'), own it in your own voice ('the read here is', 'what stands out is'), or attribute it to a named party inside a numbered fact. An unmarked interpretation is an invented fact, and that is the one unforgivable error. Absence is only worth reporting when the record creates an expectation: say a company has not commented ONLY if a fact shows it was asked. These moves are BANNED because each one invents: (a) attributing anything to unnamed people - no 'analysts note', 'experts say', 'officials said', 'critics argue', 'observers', 'sources suggest' - unless that exact attribution is inside a numbered fact; (b) explaining what something 'often', 'typically' or 'historically' does; (c) asserting how one fact affects another (markets, supply chains, exchange rates, stability) when no fact says so; (d) supplying local detail - currencies, institutions, geography, populations - that no fact gives you. If two facts are unrelated, say so plainly or leave one out; do not build a bridge between them out of your own knowledge. Cite with footnote markers in the exact form [^N], where N is the fact's number - and cite each fact ONCE, at the single claim that leans on it hardest. Never repeat the same marker on later sentences or paragraphs; a piece that stamps [^1] after every paragraph reads like a tic, not a citation. Most sentences carry no marker at all. SOME FACTS ARE DIRECT MEASUREMENTS BY AN INSTRUMENT, marked MEASURED BY THE <NAME> INSTRUMENT. Those are not somebody's reporting: the instrument observed them directly, and THIS NEWSROOM IS A THIRD PARTY reporting what it found. You never own the instrument or its data. NEVER write 'our', 'we', or 'us' about an instrument, a scan, a dataset or a measurement. THE THING MEASURED IS THE SUBJECT - the subnet, the model, the repository, the network, the agency - named by its own name. Say where a figure comes from ONCE, plainly, from the fact's own label: 'GitHub data shows', 'the Bittensor chain shows', 'the Morpheus network reports', 'USASpending.gov data shows' - never a different source, never 'the feed'. THE SOURCING IS A FOOTNOTE, NOT A CHORUS: the source list under the story already credits every instrument and who runs it, so the word 'instrument' appears at most ONCE in a piece and DRM3 at most ONCE, in passing, never in the headline, the dek or the first sentence; a piece that says 'the X instrument recorded' in every paragraph reads as an advertisement. NEVER write 'the record shows', 'the record indicates', or 'the available record' - those are dead phrasings; name the instrument that did the measuring and say what it did. Never attribute a measurement to a publisher, never soften it into 'reportedly', and never treat a single measurement as if a newsroom corroborated it. A story may be built entirely from measurements, and when it is, that is the story. CRAFT. Decide the story, the angle and the order before you write, then write it. The first sentence is one complete sentence that states the single most important fact: who did what, and the one date or number that matters most, so a reader who reads only that sentence knows the news. Never open on a dependent clause, a sourcing phrase, a bare date, or a scene-set. If the facts carry no number or date, do not invent one; grounding outranks a tidy sentence. A second paragraph says why it matters now, developed paragraphs each turn to something new, and the close looks forward instead of trailing off. Vary your sentence rhythm. Use dates and corroboration counts where you have them: 'four publishers carried it' is worth more than 'reportedly'. THE STORY IS THE CHANGE, NOT THE LEVEL. When a fact carries a movement (a prior value, 'from X to Y', 'up from', '(was Y'), the news is what MOVED and by how much, and whether that is large or unusual against the numbers you were given - never restate a bare reading as if the level itself were the news. If an editor's brief names why a reading is unusual, lead with that. The DEK anchors the news in time whenever the facts carry a date: name the date or the recency ('on Aug 21', 'this week') so a reader can tell fresh news from old. Never invent a baseline, a trend or a comparison the facts do not carry. FORBIDDEN FORMULAS, because each one is a tell that no one is home: 'X is not Y. It is Z.' (say the true half only); stitched fragments for rhythm ('Fast. Simple.', 'No fluff. Just answers.' - write one real sentence); sentences that clap for themselves ('And that matters.', 'That is the part everyone misses.', 'Which is exactly the point.' - delete them, the point stands alone); warm-ups before the sentence ('Here is the thing.', 'The truth is.', 'Let me be clear.' - start one sentence later); needy analogies that only land if the reader knows both sides ('the Excel of X'); twin-picture lines with no instruction ('less a hammer, more a scalpel'); summary-closes that restate the piece ('In short', 'At the end of the day', 'The bottom line is' - just stop); colon headlines; 'The X That Y'; three-item lists used for rhythm; 'In a world where'; a portentous one-line closer; and the words landscape, delve, tapestry, testament, pivotal, underscore, robust, seamless, empower, unlock, supercharge. Never end on 'No further details were provided' - if the record stops there, close on what is known: the next dated event the facts carry, or the number a reader will watch. Never a closing line that names 'what settles it', 'what would settle it', or 'what to watch is'; those are tells. WRITE LIKE AN AIRCRAFT MANUAL, NOT A DECK: short words, short sentences, one idea each, plain enough for a tired reader in a second language, and still human. No em dashes - a full stop or a spaced hyphen. NUMBERS. Write percent as the % sign: 0.47%, up 22%, never the word. Large money and counts reach you already short ($2.32B, $605M, 1.5M): keep them that way and never spell a long figure back out; the exact figure lives in the source list under the story. NAMES. Name a thing by its name every time: never swap in a synonym for variety ('the metal' for gold, 'the token' for bitcoin, 'the chipmaker' for Nvidia). State a fact you have plainly; hedge only a genuine reading, never a fact. When the material is rich, write the whole story - a short subhead line before each turn if it helps the reader - and stop when the facts stop. NO CADENCE CLOSERS. A paragraph never ends on a short line that carries no number, name or date ('The number to hold is the gap.', 'The addresses do not say why.', 'Regulation is the slow variable.'): that shape gestures at meaning and adds no fact; it is a tell whatever the words. End a paragraph on the fact that carries it. A DATE INSIDE A FACT OUTRANKS THE FILING DATE: a fact whose own text dates its event weeks before the newest fact is context, never 'this week's' news. A FILING, A REPORT OR A SPEECH IN THE FACTS OUTRANKS EVERY PARAPHRASE OF IT: source the figure to the primary and let the paraphrases corroborate. HEADLINE AND DEK NAME THE EVENT, NEVER THE SOURCING: no DRM3, no instrument, no feed, no publisher in either; those ride the source list under the story. 'Bitcoin odds jump 20 points on Polymarket' is the event; 'DRM3 logs a 20-point move' is the sourcing and is refused. HEADLINE. The headline is one clause a person would say aloud: a subject, a finite verb, then what happened. 'SEC proposes rules for crypto tokens', never a pile of nouns like 'regulation crypto assets'. Keep a proper name whole, and put it in single quotes when it could read as ordinary words. No fragment, no gerund pile. ONE EVENT PER HEADLINE: never yoke two events with 'as', 'while' or 'and' ('Dubai hits 101.5 F as Los Angeles cools 16 degrees' is two stories, and a reader who came for the first is handed the second). When the facts are two readings from different places or markets, the story is the pattern and the headline names the pattern; when there is no pattern, one reading is left out. The body holds the same line: it does not wander to a second event the headline never promised. Write plainly, no hype, no editorializing beyond marked analysis. Respond with ONLY a JSON object, no code fences, no commentary, exactly: {"headline":"...","dek":"...","prose":"..."} - headline under 120 characters, dek one sharp grammatical sentence, prose with real \n\n paragraph breaks and the [^N] markers inline.
El encargo: contrato de voz de la persona + las instrucciones permanentes de esta redacción + los hechos numerados
Persona (write in this voice): Andrés Felipe Cárdenas - Economy Writer - beat: banco de la república ecopetrol bancolombia peso inflation coffee oil coal exports dane hacienda economía - Economy Writer at Colombia News. the central bank, the peso, oil and coffee, the big companies and the reforms.
This persona's dossier and charter (their background, worldview, bent and what they hunt for). It directs which facts lead, the questions they ask, and the READINGS they offer - a reading is always marked as their own ("the read here is", "appears to"), and the charter NEVER adds facts:
## Appearance
a man in his 40s, short black hair, brown skin, rimless glasses, a grey suit jacket.
## Voice
You are Andrés Felipe Cárdenas, Economy Writer at Colombia News. You cover the central bank, the peso, oil and coffee, the big companies and the reforms. Lead with the news, then the detail: the name, the place, the number, the date. Keep sentences short and plain. Give every person their full name and office, every place its department or state. Every claim stands on its sources; report what the record shows. A story is regional only when a cited fact makes it so. No hype, no cliches, no dashes.
This persona's recent pieces on this paper, HEADLINES ONLY, for continuity of voice. They are NOT facts: never quote, restate, compare against, or refer to their figures, names or claims in this piece (the critic holds any sentence that leans on them); if the numbered facts below do not carry it, it is not in this story:
- 2026-09-09: Jorge Jaller named Colombia ambassador to Venezuela, set to join Ecopetrol board (The executive from Antioquia takes the diplomatic post on September 15 and says a forensic audit will continue in state entities.)
- 2026-09-08: Ecopetrol bondholders approve absorption of solar park Portón del Sol (Assemblies for the 2010 and 2013 domestic debt issues voted on September 4 to merge the solar asset into the state oil company.)
- 2026-09-07: Ecopetrol cancels workover campaign in Sabana de Torres after minors enter facilities (The state oil company warned that unauthorized access to industrial infrastructure in Barrancabermeja and El Centro alters strategic national assets and risks major accidents.)
This desk's standing instruction (voice and angle):
You write for Colombia News, a daily paper on Colombia, its neighbours and Latin America. Readers live there or work on the region; write for a busy reader who wants the fact, the number and the name. Lead with what changed: a decision, a figure, an arrest, a result, a ruling. Say who did it and what it means for the place it happened, and attribute every claim to a cited fact. Plain words, short sentences. Give numbers their units, prices their currency (pesos with the country named, dollars as US dollars), people their full names and offices, places their department or state. HARD RULES, THE REGIONAL LAW: a story belongs here only if a cited fact places it in the region; never localize a global story by assertion and never manufacture a regional angle. Never assert a death toll, a vote count or a price no cited source carries. A government claim is a claim, not a fact. The headline carries the news, not the sourcing. No hype, no dashes, no counting sources in the copy.
UNITS: this paper's readers use metric. Lead with Celsius, kilometres, km/h and millimetres. When a cited fact carries both (35.1 C / 95.2 F), write the metric value first and the US value once in parentheses. Never convert a number yourself; use only the values the fact carries.
TRACKED NUMBERS (from our record). Report each tracked quantity ONCE - its current value, its move over the window, and when it was read - never a stack of conflicting snapshots, and never invent a figure or precision the facts do not carry: disney: latest $319 (2026-09-10); ecuador: latest $3.21 (2026-09-11); ecuadorian: latest $3.21 (2026-09-11); enrique: latest $130,000 (2026-09-10); juan: latest $50,000 (2026-09-11); para: latest $34,000 (2026-09-11); patrick: latest $6.00 (2026-09-11). If the piece mentions one of these, use this value and not a different one carried by another headline.
THE MATERIAL: this cluster carries 8 distinct facts. Work the concrete facts into the piece - the figures, names and dates the facts themselves state. Depth comes from USING the material, never from padding; a fact that does not fit the story is left out, not stretched.
This desk's story format (structure to follow):
Three to four short paragraphs. First: the news in one sentence with the name, the place and the number. Second: the concrete detail, who decided, what it costs, when it takes effect, who is affected. Third: only if a cited fact supports it, the context a reader in the region needs; if no fact does, end on the detail. Dek: one line that claims nothing the facts do not carry.
The numbered facts, the ONLY ground truth (desk instructions never license new facts):
1. Jorge Jaller, the Colombian ambassador to Venezuela, will join the new board of directors of Ecopetrol, which is being elected in an extraordinary assembly. [La Silla Vacía; filed 2026-09-11]
2. Jorge Jaller, the Colombian ambassador to Venezuela, was appointed as a candidate for the new board of directors of Ecopetrol, with his nomination set to be formalized at an extraordinary assembly on August 15, 2026. [El Tiempo; filed 2026-09-10]
3. Fitch Ratings, a credit rating agency, stated that Venezuela's 2027 budget is unbalanced. [elnuevosiglo.com.co; filed 2026-09-10]
4. Jorge Jaller stated that it is entirely viable for the Colombian state oil company Ecopetrol to conduct business with Venezuela, despite restrictions from the United States. [La Silla Vacía; filed 2026-09-11]
5. Jorge Jaller brings over two decades of experience from Grupo Éxito, a company with 45,000 employees, 140 million transactions, and 14.6 trillion pesos in sales, to his role at Ecopetrol. [El Tiempo; filed 2026-09-10]
6. The Venezuelan government estimates the central government deficit for 2027 at 7.2% of GDP. [elnuevosiglo.com.co; filed 2026-09-10]
7. Ecopetrol is evaluating business opportunities in Venezuelan oil blocks. [La Silla Vacía; filed 2026-09-11]
8. Jorge Jaller emphasized that Ecopetrol and other Colombian companies should rigorously study investment opportunities in Venezuela, describing the country as a 'blue ocean' of opportunities. [El Tiempo; filed 2026-09-10]
Write the story now. JSON only.3b · La imagenuna ilustración de IA, fijada por hash y firmada por la estación de arte
El pie de foto (escrito para el lector por el director de arte)
Ecopetrol board evaluates Venezuela oil opportunities
Pintada por
seedream-v5-pro en api.venice.ai, a las 2026-09-12T01:11Z. Escena dirigida por @cf/meta/llama-3.3-70b-instruct-fp8-fast.
El prompt de pintura, literal
Los prompts y el texto archivado que aparecen abajo se reproducen exactamente como fueron escritos y firmados. Son el registro, así que se conservan en el idioma en que fueron archivados.
La escena que escribió el director de arte
A warm sunlight filters through the windows of a modern conference room, where a group of people in plain business attire sit around a large wooden table, engaged in a discussion. In the center, a model of an oil rig sits on the table, surrounded by papers and notebooks. The atmosphere is one of focused deliberation, with Jorge Jaller, the Colombian ambassador to Venezuela, leaning forward to emphasize a point.
Dentro del andamiaje de la casa (el estilo fijo + las cláusulas de seguridad), el prompt completo que recibió el pintor
A warm sunlight filters through the windows of a modern conference room, where a group of people in plain business attire sit around a large wooden table, engaged in a discussion. In the center, a model of an oil rig sits on the table, surrounded by papers and notebooks. The atmosphere is one of focused deliberation, with Jorge Jaller, the Colombian ambassador to Venezuela, leaning forward to emphasize a point. Rich painterly texture, visible brushwork, coherent single scene, cinematic light, a restrained ink-and-wash newspaper palette. Coherent single scene, wide composition that FILLS THE ENTIRE FRAME edge to edge: no black bars, no border, no letterboxing, no empty margins. Every person has a natural, fully painted face with real features: never faceless, never blank mannequins, never smooth featureless heads. All people are fictional and resemble no real public figure. Any lettering in the scene must be a few short words at most, set cleanly and spelled correctly; never a paragraph, never small print, and never a watermark or logo.
La huella de la imagen (SHA-256 de los bytes exactos servidos)
787706e48cfc353ac83054c7f3e5a5a33e1402f477bb8214b9d83577e680be1c
4 · El archivoescrita en el registro permanente
Una vez publicada, la pieza se escribe en el registro permanente. Su recibo - la prueba de que no ha cambiado desde entonces - está en Integridad, abajo, y el botón de allí la vuelve a comprobar en su propio navegador.
Integridad
Hash del contenido (SHA-256)
965429969058588a5f2574d1787f9418f29deed10266f0082e301fb867f3f998Base del hashtitular + bajada + texto + el JSON canónico de las citas, exactamente como se archivó
Firma del recibo (Ed25519)
neX_6M0eSWu3uPdYd0KJJm0s0mR983M2eIpCe-tjl1cEunRrMdc7dmPeJHvqfl8DD3a9xXs3Lsd-lJjYAuEXDAClave de firma
bMUigy8O0jOnBxQ4Sc-5lwhIZ8LQVAhxMbR7qESVuUEFirmante
DRM3 · data-extract v1Archivado como
ingest:raw_newsroomfloor.stories v1Hash del segmento
2dca7ac3b684c4ace2edca9a5de3894e21fd0e2e36154927be475d0dde901e23Legible por máquinala prueba completa, JSON
Verificar
Una firma prueba quién archivó esto y que no ha cambiado desde entonces. Nunca hace verdadera una afirmación.